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Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.
Titolo del film
|
Frozen II |
ladurata |
198 minute |
Leemissione |
2019-11-20 |
La Qualità |
FLV 1080p
Bluray |
Category |
Animation, Family, Adventure |
Il idioma |
English |
Castname |
Adelie
T.
Kadijat, Sahair F. Mayssa, Swan C. Romero |
[HD] Frozen II 2019 Streaming Cineblog01
CortometraggioSpeso : $633,528,802
Entrate : $345,397,812
Categoria : Karate - Campo di battaglia , Telefilm Melodramma - Primavera , Musicologia - Scetticismo , Grande - Militari
Paese di produzione : Mongolia
Produzione : Stearns Castle
冰雪奇缘 维基百科，自由的百科全书 ~ Watch the First Clip from Disneys Upcoming Animated Film Frozen 页面存档备份，存于互联网档案馆 Rope of Silicon 20130809 Disney plans to milk Frozen success 页面存档备份，存于互联网档案馆 CNN 20140513 Idina Menzel Says Frozen Sequel Is in the Works 页面存档备份，存于互联网档案馆
魔雪奇緣2 維基百科，自由的百科全書 ~ 《魔雪奇緣2》（英語： Frozen II ，中國大陸、馬新、台灣譯《冰雪奇緣2》）是一部2019年美國 3D 電腦動畫 歌舞 奇幻電影，迪士尼動畫製作迪士尼電影公司發行的第58部迪士尼經典動畫長片，為2013年電影《魔雪奇緣》的續集。
冰雪奇緣：驚喜連連 維基百科，自由的百科全書 ~ 《冰雪奇緣：驚喜連連》（英語： Frozen Fever ），是2015年的一部美國電腦動畫 歌舞 奇幻 短片，由華特迪士尼動畫工作室製作、華特迪士尼影片發行。
冰雪奇緣 原聲帶 维基百科，自由的百科全书 ~ Perlman Jake On the Scene Frozen cast performs live for the first and probably only time ever Entertainment y 10 2014 February 10 2014 It was the first time the cast had ever sung the songs live and the first time many had sung the songs at all since they recorded the soundtrack a year and a half ago
冰雪奇緣2 原聲帶 維基百科，自由的百科全書 ~ 《冰雪奇緣2：電影原聲帶》（英語： Frozen 2 Original Motion Picture Soundtrack ）是迪士尼2019年動畫電影《冰雪奇緣2》的原聲帶專輯，由克里斯汀·安德生洛佩茲和勞勃·羅培茲編寫，克里斯多福·貝克配樂 。
雪寶的佳節冒險 維基百科，自由的百科全書 ~ 《雪寶的佳節冒險》（英語： Olafs Frozen Adventure ）是一部於2017年上映的美國3D電腦動畫 歌舞 奇幻短片，由華特迪士尼動畫工作室製作，華特迪士尼工作室電影發行。
雪寶 迪士尼 維基百科，自由的百科全書 ~ 冰凍之心 （ 英語 ： Frozen Heart ） 想不想要做個雪人？ 前所未有的感覺 （ 英語 ： For the First Time in Forever ） 愛要說出口 （ 英語 ： Love Is an Open Door ） 放開手 別讓風雪掩埋愛 （ 英語 ： Reindeers Are Better Than People ） 幻想夏天 （ 英語 ： In Summer ） 整頭整腦
艾莎 迪士尼 維基百科，自由的百科全書 ~ 艾莎（英語： Elsa ）是迪士尼影業第53部經典動畫長片《冰雪奇緣》，以及其續集《冰雪奇緣2》（第58部）的主要角色之一，配音員是百老匯女星兼歌手伊迪娜·曼佐，片頭8歲與12歲時期的配音則分別由愛娃·貝拉（ Eva Bella ）與史賓賽·萊西·甘納斯（ Spencer Lacey Ganus ）擔任，角色創造者為該片兩位
沾黏性肩關節囊炎 維基百科，自由的百科全書 ~ 沾黏性肩關節囊炎（adhesive capsulitis），又名肩周炎、凍結肩、冰凍肩（Frozen Shoulder），因好發在四十至六十五歲之間 ，故俗稱五十肩，是肩膀部份會造成疼痛及失能的病症，因肩關節囊及 肩關節 （ 英語 ： Shoulder joint ） 周圍的結締組織發炎僵硬，使得活動範圍受限，並且造成慢性疼痛。
維基百科，自由的百科全書 ~ 位於巴西 北部的朗多尼亞州當前共下轄52個市鎮。 朗多尼亞州也是巴西市鎮數第四少的州，僅次於羅賴馬州（15市鎮）、阿馬帕州（16市鎮）及阿克里州（22市鎮）。 朗多尼亞州的52個市鎮分屬2個中級地理區及6個直接地理區。 韋柳港為該州人口最多、面積最大的市鎮，其人口超過50萬人。
The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.
Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.
This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.
It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin
Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
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As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.
It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.
There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.
The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.
They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.
All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.
All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.
Rating: B+
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